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- CINEMA, Page 54Dog DaysBy Richard Sshickel
-
-
- TURNER & HOOCH
- Directed by Roger Spottiswoode
- Screenplay by Dennis Shryack, Michael Blodgett, Daniel Petrie
- Jr., Jim Cash and Jack Epps Jr.
-
- Scott Turner (Tom Hanks) is a tidy bundle of compulsions, the
- kind of man who gets off on an improved filing system and looks
- forward to flossing his teeth. Hooch (a mastiff named Beasley) is
- a messy bundle of sinew and instinct, the kind of dog who lives to
- wreck your living room and looks forward to sinking his teeth into
- the necks of people he doesn't like. Also, he drools a lot.
-
- This is obviously not Lassie Come Home; it is the odd couple
- as crime busters. Turner is a small-town detective, an apt
- occupation for a man of his temperament. He has placed Hooch, the
- only witness to his former owner's murder, in protective custody.
- As the movie's none-too-ambitious mystery plot unfolds, it is
- Hooch, ferociously loyal to both his former master and his new one,
- who does most of the protecting. He's obviously never heard of
- Miranda rights. Not that he is a one-note character: he introduces
- Turner to romance with the local veterinarian (Mare Winningham),
- and in moments of repose he has a watchful sobriety that becomes
- a comment on the human propensity to rush around needlessly. If
- food, sex or loyalty is not at issue, what's all the excitement
- about?
-
- Hanks, a wonderfully natural and unpretentious actor, may be
- the only star capable of holding his own against this competition,
- even stealing a scene or two from his furry friend. In the end,
- Turner tames Hooch down, Hooch loosens Turner up, and this little
- nothing of a movie -- sweeter and smarter than it has a right to
- be -- may cheer you on through the, uh, dog days.